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YULETIDE: How We Published in Less Than a Month

Updated: Sep 16, 2019

by Christina Boyd

Give us a thankful sense of the blessings in which we live, of the many comforts of our lot, that we may not deserve to lose them by discontent or indifference. —Jane Austen

Nine months after its inception, Rational Creatures was born. It had been a long journey, corralling sixteen authors, working with a new proofer, and implementing lots of DIY promotion ideas. I think it’s the best anthology I have ever been a part of—and I am so grateful of all who helped make it a work to be proud of. I loved that collection of stories written by strong women about some of Austen’s strongest female characters and had been reflecting much on the research library at Chawton Great House, the Centre for the Study of Early Women’s Writing. In the spring of 2017, I had the good fortune to visit Chawton House (the manor of Jane Austen’s brother Edward Austen Knight), as well as the Cottage, along with author Joana Starnes, blogger Mira Magdo, and my dear Mr B. That magical day left a lasting impression on me and I dream of one day returning. Never one to idle long—I was waiting on the manuscript from another author to do a full edit (I suppose we can blame/thank Leigh Dreyer’s manuscript delay for this project!) —and about a week before the #RationalCreatures two-month blog tour was to end, I decided I needed to publish a holiday anthology. In an inspired moment, I thought “How about a Christmas-themed anthology and give all the proceeds to Chawton Great House.” Easy as that, I asked my anthology authors and explained we would have less than a month to make it to holiday market and was anyone interested? Further, unlike previous anthologies, I could not pay them for their stories and asked them to donate their work to this project. After a day, I started doubting myself and thinking this was too ambitious a turn-around time when I woke up to an email from Caitlin Williams, offering a delicious Regency story that she had previously published online. After reading it, I decided I had to go forward with this mad idea. Her story had all the elements that I loved in a holiday romance.

Within the next two days, six more brave souls raised their hands and offered their stories. I knew I would edit the stories and decided I could also keep costs down if I designed a cover myself. So, the cover you see is my own work too. It took me longer than I had expected but I learned a lot and am not entirely fearful of that process anymore. Debbie Brown also stepped up and volunteered to sub-edit. It’s always a relief to know there are extra eyes on a project to question all those commas and homophones and phrases. One of my biggest stresses was having to format it myself as I had never done that before, always hiring out. And lo! Karen M Cox offered to format the ebook—and the paperback as well. I had thought to only produce an ebook, imagining I could likely manage formatting an ebook but when Karen volunteered her talents, I jumped at the chance to offer this 190-page paperback too.

I gave the authors two weeks, TWO WEEKS, to write a story. Amy D’Orazio had two written stories for me to choose from and I loved her contemporary story, “The Wishing Ball”. J. Marie Croft had a contemporary story idea that she had drafted previously but, like Austen, had put it in a drawer and forgot about. Since I have never read anything by her that was not set in the Regency, of course, I had to have it! I’d say that her story would be great as a Hallmark Christmas movie but I haven’t liked any of the Pride & Prejudice Christmas movies so far—maybe with better casting and production, they might do her story justice! (Let’s all manifest that happy thought into the universe.) Lona Manning had a splendid Regency story idea about Elizabeth Darcy befriending Anne DeBourgh during Christmastide at Rosings and discovering a wonderful secret about that quiet lady. Anngela Schroeder offered a clever alternate Regency story about Elizabeth and Jane spending Christmas in the North with friends–and guess who do they encounter? Of course, Colonel Fitzwilliam, Darcy, and Bingley! Joana Starnes initially had declined this project, thinking she did not have time to write a story but, lucky for me, after a few days, she remembered a Regency story she had published online, developed it further, and voila! That first week, Elizabeth Adams sent me daily snippets of her progress. Then, I opened a message that said she went over the word limit and was no where close to the ending… Heartbroken, I encouraged her to keep on and develop it into a full-length novel. (Because it really is wonderful and, selfish being that I am, must know all the who, what, and wheres—after all those delectable morsels she had teased me with!) Fortuitously, she ended up writing another Regency story in forty-eight hours. FORTY-EIGHT HOURS!

I must say I have never been so thankful for email. This project would never had happened on time, nay!—ahead of time—had I been dependent of the post. Imagine if you will the last couple of weeks: I edit a story, return it to the author, back and forth until we get it right, then to Debbie who corrects what I missed, then back to the author to approve or reject, and again back to me. All of that repeated and juggled for all the stories. That’s the abbreviated, less chaotic version, but I think you get the idea and how email made our impossible deadline realistic. (All of that happens on every project but not in this hectic, abbreviated schedule!) Fast forward to the completed collection. I sent the collection to Karen and, over the Thanksgiving holiday weekend, she formatted the anthology for ebook and print. I can’t tell you how much of a relief that step was to me. I think I would still be formatting it had it been left to my learning curve. Thanksgiving indeed!

As always, I am forever grateful for the talented authors who have joined me on this journey into the Wild West that is now modern-day publishing and thankful for the peer groups, bloggers, and readers who have encouraged and supported indie projects.

In a mad flurry, the authors wrote quality Pride and Prejudice stories on-demand and others have donated their time and creativity to produce this Christmas collection, in hopes that all the proceeds might help in the continuation of good work at the Great House, ensuring the work of women writers will continue to be discovered and treasured long into the future. I hope you enjoy this collection in the same affectionate spirit it was created. Thank you for supporting this effort and Chawton Great House. —Christina Boyd of The Quill Ink



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